Play Along Piano

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Opera

In diesen heil’gen Hallen

rdr713

2:23	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	32	1	6	100%
	20	30	1	3	92%
Bass	13	0	1	5	91%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	32	1	6	100%
	20	30	1	3	92%
Bass	13	0	1	5	91%

Cavallaria Rusticana - Intermezzo

MaestroMoi

2:34	Est. Play Time
48	Measures
	1,171Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	16	0	1	6	100%
Violins 1	13	0	1	8	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	16	0	1	6	100%
Violins 1	13	0	1	8	100%
Violins 2	14	0	2	6	100%
Violoncellos	16	0	3	6	100%
Harp	15	32	0	1	43%
	20	12	0	2	65%
Organ	12	28	0	4	60%
	11	11	0	4	60%
	0	0	0	0	0%
Oboe	9	0	1	5	15%
A Clarinet	1	0	0	2	4%
	1	0	0	2	4%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione

Papibois

2:13	Est. Play Time
75	Measures
	1,156Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
Tenore 1	13	0	2	4	92%
Ténore 2	15	0	4	4	92%
Soprano 1	16	0	6	4	87%
Basso	10	1	0	4	87%
Soprano 2	13	0	5	4	87%
Gianetta	9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - BASSE

Papibois

2:13	Est. Play Time
75	Measures
	1,171Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
Tenor 1	13	0	2	4	92%
Tenor 2	15	0	4	4	92%
Soprano 1	16	0	6	4	87%
Basse	10	1	2	4	87%
Soprano 2	13	0	4	4	87%
Gianetta	9	0	0	4	55%

Che farò senza Euridice? — C. W. Gluck, “Orfeo ed Euridice”

Alexander Evstyugov-Babaev

3:17	Est. Play Time
67	Measures
	1,227Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
4 Violini I	20	1	5	5	100%
2 Viole	15	0	4	4	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
4 Violini I	20	1	5	5	100%
2 Viole	15	0	4	4	99%
4 Violini II	14	2	2	4	99%
Cembalo	18	45	5	3	98%
	17	0	3	3	97%
2 Celli e Contrabasso	17	0	3	3	97%
Contrabasso	17	0	3	3	97%
Orfeo	15	0	4	6	82%
Effetti MIDI	7	1	1	2	4%

J. Hoffenbach, Les contes d'Hoffmann: Couplets bachiques

Mélisande

3:08	Est. Play Time
69	Measures
	1,180Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	37	8	7	100%
	31	43	8	3	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	37	8	7	100%
	31	43	8	3	100%
Hoffmann	14	0	3	6	75%
B	10	2	1	3	25%
T	11	10	2	3	25%
S	11	5	1	3	24%

HWV1A2N21 - Zweier Augen Majestät

edward.maurath

2:35	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	44	6	5	100%
	21	2	5	2	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	44	6	5	100%
	21	2	5	2	100%
Bassoon	17	0	6	5	60%
	21	0	5	2	100%

HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)

edward.maurath

2:58	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
Violoncello (Continuo)	19	0	3	6	100%
Alto as Dorinda	15	0	4	8	78%
Contrabasses	8	0	0	3	8%
Viola	10	0	0	3	8%
Violins I	11	0	0	5	8%
Violins II	10	0	0	3	8%
Violoncellos	8	0	0	3	8%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - TENOR 2

Papibois

2:13	Est. Play Time
75	Measures
	1,163Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
Tenor 1	13	0	2	4	92%
Tenor 2	15	0	4	4	92%
Soprano 1	16	0	6	4	87%
Basso	10	1	0	4	87%
Soprano 2	13	0	4	4	87%
Gianetta	9	0	0	4	55%

HWV5A3N6: Ah sommi Dei, cui la giustizia arruota (Esilena)

edward.maurath

2:16	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Contniuo)	12	0	4	3	100%
Harp (Continuo)	18	40	5	3	97%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Contniuo)	12	0	4	3	100%
Harp (Continuo)	18	40	5	3	97%
	17	20	5	4	83%
Esilena	15	0	6	6	97%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - SOPRANO 2

Papibois

2:13	Est. Play Time
75	Measures
	1,160Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
Tenore 1	13	0	2	4	92%
Ténore 2	15	0	4	4	92%
Soprano 1	16	0	6	4	87%
Basso	10	1	0	4	87%
Soprano 2	13	0	4	4	87%
Gianetta	9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - TENOR 1

Papibois

2:13	Est. Play Time
75	Measures
	1,162Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
Tenor 1	13	0	2	4	92%
Ténore 2	15	0	4	4	92%
Soprano 1	16	0	6	4	87%
Basso	10	1	0	4	87%
Soprano 2	13	0	4	4	87%
Gianetta	9	0	0	4	55%

HWV1A2N14 "Nein, nein, Fernando, nein!"

edward.maurath

2:11	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	5	100%
Almira	14	0	3	6	52%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	5	100%
Almira	14	0	3	6	52%
Fernando	14	0	4	6	46%
Harp	19	25	6	4	42%
	13	11	3	4	42%
Harpsi	16	17	4	3	33%
	17	15	5	3	33%
Lute	17	17	6	2	25%
	21	15	7	2	29%
Osman	11	0	1	3	17%